Sigmund Groven is one of Norway’s most famous and beloved musicians and composers. Now working in his 5th decade as one of the world’s finest performers of the harmonica, Sigmund Groven has become a household name in Norway for his emotional and timeless renditions of popular tunes, folk music, classical works, and his own compositions.
As an international artist Sigmund Groven has performed with major symphony orchestras throughout the world, enthralled festival goers and given concerts in some of the most respected concert halls. You might even catch him entertaining cruise ship guests or giving royal command performances. He also shares his art and knowledge through popular master classes around the world.
In between touring the world or performing at local art centers and churches in Norway, Groven finds time to record albums which always bring you the best of the harmonica. Filled with Groven’s characteristic original compositions, or special arrangements of well known compositions from world famous composers, these albums reflect the Nordic moods which have always inspired him.
In the right hands the lowly mouth-organ can be an instrument of great beauty and sophistication. Sigmund Groven, like Tommy Reilly and Larry Adler before him, makes full use of the wide range and tonal expressions that the harmonica is capable of. His musicianship is superb, and he now unquestionably reigns supreme as one of the finest exponents of the harmonica in the world” – Sir George Martin, producer of The Beatles
For more than four decades Sigmund Groven has had an international career as soloist, composer and recording artist.
He was born in Heddal, Telemark, Norway, into a musical family; his uncle, Eivind Groven, was a composer and musicologist. Sigmund’s interest in the harmonica was aroused at the age of nine upon hearing a record of the legendary harmonica pioneer, the late Tommy Reilly, who became his source of inspiration as a musician, his mentor, and close associate. They appeared together in concert and on radio and TV in Europe and North America, and in 1976 they recorded, in London, a duo album of original works written for them by such composers as Robert Farnon, Gordon Jacob, James Moody, and Vilem Tausky.
In addition to his studies with Tommy Reilly Sigmund graduated from the University of Oslo as a B.A. (English, History, Political Science), and before he concentrated on his career as a full-time musician and composer he worked for the Norwegian Broadcasting Corporation as an announcer, presenter, and music producer, and also did free-lance work as a record producer.
For more than 25 years he has been teaching at the annual summer courses organized by the Norwegian Harmonica Association. He has also been teaching at the Trondheim Conservatory of Music and has given master-classes both in Europe, North America, and several Asian countries.
Sigmund plays a custom-made silver concert harmonica and his repertoire ranges from popular and folk music to his own compositions, from Bach to contemporary music.
His career in Europe has included performances with such orchestras as the Academy of St. Martin-in-the-Fields, Rotterdam Philharmonic, the radio orchestras of Berlin, Munich, Brussels, Stockholm, Oslo, Hilversum, and BBC London, concerts for EXPO Sevilla, UNESCO Paris, “Posidonia” in Athens, the Edvard Grieg Sesquicentennial Celebrations, as well as appearances at the Dartington Summer Music, the Bergen International Festival and other prestigious festivals. In 2002 he became the first harmonica player to appear as soloist with the Mozarteum Orchestra in Salzburg, giving the world premiere of Siegfried Steinkogler’s Harmonica Concerto.
His concert at the 25th Budapest Spring Festival, which also featured such illustrious names as the Chicago Symphony, Daniel Barenboim, Pierre Boulez, Barbara Hendricks and The King’s Singers, was described by a critic as “the most moving performance in the history of the festival”, and he has since frequently been invited back to Hungary for more concerts.
On many occasions he has given Royal Command Performances for the Kings and Queens of Norway and Sweden, and he is regularly featured as star performer on cruise ships around the world.
In 1990 Sigmund made musical history, becoming one of the few harmonica players ever to be featured at Carnegie Hall with a classical recital of his own. This marked the turning point in his American career, and was followed by concerts at the Smithsonian Institution in Washington DC as well as major concert halls, orchestras and festivals across Canada and the US (Toronto, Guelph, Québèc, Los Angeles, San Francisco, Seattle, Anchorage, Fairbanks, Minneapolis, New Orleans, Houston, and Dallas, where he was made honorary citizen of Texas.
His career in Asia has included concerts and TV appearances in Japan in 1995 and 1999 (incl. Casals Hall, Tokyo and Kyoto Concert Hall), Hong Kong 1998 (City Hall Concert Hall) and Seoul, Korea 2001, where his albums entered the pop charts. In 2004 he returned to Hong Kong for a concert with the City Chamber Orchestra of Hong Kong, and in August 2006 he gave concerts and master-classes at the Asia-Pacific Harmonica Festival in Taiwan. In 2011 he played in Singapore, and 2012 included more concerts in Hong Kong and South Korea. In 2013 he toured as soloist with the Gothenburg Wind Orchestra in Sweden and Budapest Strings in Hungary, as well as another recital tour of South Korea. In 2015 he tours South Korea once again, for the 4th year in a row.
Classical Harmonica, the latest addition to his discography of more than 25 albums, is a duo recording with pianist Ivar Anton Waagaard, and in 2010 HarmOrgan, the world’s first album featuring harmonica and pipe organ (together with Iver Kleive) was released in Blu-ray surround SACD format on the premium brand label 2L. Grieg Album, featuring his interpretations of Edvard Grieg’s music in collaboration with the Norwegian Radio Orchestra, Kåre Nordstoga and Ivar Anton Waagaard, was released in 2007 to enthusiastic reviews. Other landmarks in his recording career are two CDs with the Norwegian Radio Orchestra: an album of works for harmonica and orchestra by Sir George Martin, as well as his arrangements of Lennon/McCartney songs and other shorter pieces, which was followed by PhilHarmonica, an anthology of serious original works by Milhaud, Villa-Lobos and Scandinavian contemporary composers.
In 2012 he gave two world premieres of works especially written for him: a Concertino by Henning Sommerro with the Norwegian Radio Orchestra, and a piece by Hong Kong composer Hui Cheung Wai. Other composers who have dedicated works to Sigmund Groven include Oddvar S. Kvam, Johan Kvandal, James Moody, Terje Rypdal, Øistein Sommerfeldt, Egil Kapstad, Iver Kleive, Kristian Lindeman, Siegfried Steinkogler, John Surman, Lars Tilling, and Fried Walter.
As a composer in his own right Sigmund Groven received a commission for the Sesquicentennial of Norwegian emigration to America (Blow, Silver Wind with words by Erik Bye), and a commission from the Norsemen’s Federation to commemorate Leiv Eiriksson’s discovery of America (Vinland Suite). Both works have been performed widely, incl. Mormon Tabernacle, Salt Lake City, and Carnegie Hall. His output totals more than 350 works, including music for film, radio, and TV, and a number of songs and instrumental works. Twice he received the award “Composition of the Year” from the Norwegian Association of Composers of which he was also appointed Honorary member. In 1997 he was elected President of TONO, the Norwegian Performing Rights Society, in 2004 he was presented with an award from the City of Oslo, in 2009 the Klaus Egge Award, in 2010 he was awarded an annual lifetime honorary grant from the Norwegian State in recognition of his artistic merits and achievements, and in 2012 the Guangzhou Music Award in China.
On June 9th 2015 it was announced that Sigmund Groven had been awarded The Royal Norwegian Order of St. Olav, Knight class. The order is conferred by the King, Harald V to individuals as a reward for remarkable accomplishments on behalf of the country and mankind.
1984: Musical work of the year from NOPA for several works
1986: Heddal Bank’s award
1990: Musical work of the year from NOPA for Prestegangaren and Tårån i troppene
1991: Honorary citizen of Texas state
1994: The Kardemumme scholarship
1995: The annual Cultural Award from Telemark county
1996: The Gammleng award
2002: Honorary member of NOPA
2004: City of Oslo’s scholarship
2006: The Storegut award
2009: Klaus Egge Memorial Award
2010: Lifetime annual honorary grant from the Norwegian government
2012: Guangzhou Music Award (China)
2015: The Royal Norwegian Order of St. Olav, Knight class
- ”He left the audience stunned” (Östgöta Correspondent, Sweden)
- ”Ein Gentleman der Mundharmonika” (SMI-Bulletin, Basel, Switzerland)
- ”His Bach solos were the models of elegance” (Anchorage Daily News, Alaska)
- ”Under his spell the harmonica seems to reverberate and glow with every emotion of the human heart” (San Francisco Chronicle)
- “A magical musician” (VG, Oslo, Norway)
- ”A most sensitive and thrilling performance” (Harmonica Review, Tokyo)
- ”His poetic performance was deeply moving” (Noordhollands Dagblad, Den Helder, Netherlands)
- ”He held the audience spellbound – his playing touches the heart. A brilliant communicator with strong musical authority” (Aftenposten, Oslo, Norway)
- ”A musician with charisma, deep passion and a magical sound” (Ming Pao, Hong Kong)
- ”His pure, smooth, crystal-clear tone is of an ethereal beauty. He is a musician of substance and stature, nonpareil. His concert was the most profound and stunning revelation of my musical life” (Woodstock Bulletin,Sydney,Australia)
- ”The Norwegian virtuoso convinced us with a remarkable richness of expression, superb glissandi and ravishing solos” (Salzburger Volkszeitung, Austria)
- ”We can confidently say that the most moving performance in the history of the festival is now associated with the name of Sigmund Groven whose harmonica recital will be remembered forever by those who were in the audience in Matthias Church. Everything came together: the choice of programme, the unusual sound of the harmonica and organ together, and the movingly sensitive performance.” (Budapest Festivalcity)
- ”Irresistible – PhilHarmonica is a winner – pure gold!”(Martin Anderson, Classical Music Magazine)
- ”Full and gorgeous tone – exquisite phrasing” (Robert Bonfiglio, Harmonica Happenings)
- “Why did not Grieg write for the harmonica? Groven plays Grieg as if he has never done anything else in his life, with heartfelt phrasing, understanding and sensitivity.” (Glenn Erik Haugland, Bergens Tidende)
- “Steinkogler’s Harmonica Concerto, brilliantly shaped by Sigmund Groven, was an exotic combination, originally and tautly conceived” (Salzburger Nachrichten, Austria)
- ”A phenomenal performer on an unusual instrument” (Gordon Wright, conductor)
- “The intrinsic Norwegian cosmopolitan” (Ketil Bjørnstad, composer, pianist, author)
June 2015 – www.sigmundgroven.com